Black Mirror, Mirror

Here’s the way life is these days:

1- People take an action and STUFF HAPPENS. 

2- Those happenings become EVENTSand the most noteworthy, salacious or even occasionally the most interesting among them are reported to us by other people and/or sources as INFORMATION, nee NEWS. (Note:  Current or just friends and family gossip).

also known as: the tea

3- This NEWS of the day, whether personal or broadcast internationally, can simply be new facts or stories we’ve acquired.  But way, way, waaaaaaay too often it is quickly turned into CREATIVE CONTENT. (Note:  Either by the professionals currently on strike (#WGAStrong) or anyone with a cell phone)

4- That CREATIVE CONTENT is then heard, watched, produced and/or ingested via platforms round the world.  (Note: Not only on TV and film, or via music, theatre and books but in far, far, far too many personal and public conversations on social media #IKnewTikTokWasGood..OrBad…ForSomething).

my brain when I try to think about TikTok

5- And then, just like that, there is COMMENTARY on all of the above, often before we’ve even had the chance to fully digest it. 

6-  Which then sparks bigger EMOTIONS, which fuels further CONVERSATIONS, some of which become new HAPPENINGS and EVENTS and CONTENT and even more COMMENTARY, which all feed on each other in a kinetic continuous cycle of….

US.

It all happens so quickly, and at such dizzying speed, that ultimately all we are left wondering are the answers to just two questions.

#1 – IS ANY OF THIS REAL, and if so, which part?

And —

#2–  WHAT THE HELL JUST HAPPENED – because the only thing l am now is TOTALLY LOST.

Help

Yes, too many of us are left feeling that way by how fast it all flies by.  But what’s even worse, at least from this Chair, is never quite knowing exactly what to absolutely BELIEVE (Note: Not to mention what to believe in).

I mean, even when you know what is LIKELY true on one subject,, it’s hard to believe much of what so many adamant, or even smart, people are saying about so many other things.

Especially when you are forced to get stuck in the weeds of misinformation, arguing with idiots about the ethicacy of —

DRAG QUEENS? 

Seriously??? 

GO. AWAY.

What about Shakespeare, 18th century France and every man in the Continental Congress?

Not to mention…

 CLOWNS!!! 

Aren’t clowns, drag?  I can testify that it is…I mean, THEY are.

When I was a very little boy I watched The Howdy Doody Show on TV and there was a clown named Clarabelle.

And she was played by a……MAN!!!

Ah!

And no, she/they is NOT the reason why I turned out the way that I did. 

This week saw the season six return of Netflix’s Black Mirror, and in its very first episode, Joan Is Awful, it brilliantly tackled all of the above and more.

Almost immediately we are introduced to a silver streak haired, upper mid-level tech manager, Joan – the kind of self-involved wealthy-ish supervisor of something or other that most of us have personally encountered or watched from afar being a very characteristic kind of awful to everyone in her life.

Yes, it’s a little bit Alexis!

She’s bored with her loving boyfriend, bitches about her coffee to her gay assistant, rolls her eyes at having to be bothered firing an employee in person, text cheats with her oily ex, whines about her life to her therapist and then returns home that night to start the cycle all over again.

By all accounts, she IS awful. 

Not quite Trump-y awful, there are new definitions for that, but awful nevertheless.

Yep, this.

That is until she and the bf snuggle in that night and turn on their big flat screen to search for a new, of the moment TV series or movie to watch on Streamberry – the Netflix doppelganger platform where you click your remote and do the all too familiar content browse.

One seems too creepy, the other is said to suck, and still something else is too close in theme to something they’ve already watched before. 

But suddenly, there is something on screen that looks interesting.  It’s a new series entitled JOAN IS AWFUL, with the silver-streak haired image of a woman that looks a lot like the Joan that we see on the couch – but not exactly.

God love ya Black Mirror

This Joan is billed as Salma Hayek with a silver-streaked wig and wardrobe that is unmistakably Joan. (Note: And yes, it is indeed THE Salma Hayek).

And when the real Joan is forced by her boyfriend to click on the fake Salma Hayek/Joan image, it begins playing out the events we’ve just witnessed in the real Joan’s life in real time, complete with physically accurate actor replacements of everyone else she has just interacted with over the course of that day.

awwwwwwkward

Now forget that we are watching this episode of Black Mirror ON Netflix, which for all intents and purposes IS Streamberry, which includes the very same dulcet DUH-DUM audio tone we all so look forward to hearing once we’ve pushed our remote and chosen our viewing treasure for the evening.

All you need to know is that it all gets lot more complicated, nee confounding, nee troubling, from there – but not in a way we don’t recognize. 

And it raises a few questions:

#1- Is it legal for a streaming platform to just take your life and film it?  Well, it turns out it is.  I mean, do any of us read the fine print of what it says when we click accept?

Pour me another

#2-  Have any of us been filmed doing stuff we didn’t want others to know we did and had it broadcast somewhere?  Well, um, we can’t really know for sure.  But if you have you glanced on Instagram, Twitter or Facebook even once in your life and tittered at the misfortunes of someone else you are still part of the problem, and not in a solution-oriented way. 

#3- Will artificial intelligence, aka A.I.., evolve to the point where what we did hours or even minutes ago could be broadcast to millions across the world?  Well, okay, it already can be.  But could it happen with computer-generated ACTORS playing US on a mainstream service like Netflix? 

I cannot!

Well, why do you think there is a WGA strike to begin with?

I spend all this time on Joan Is Awful not merely to urge everyone to watch the opening episode of a superior series that is sort of a mash up of The Twilight Zone and Night Gallery, by way of Orphan Black.

Though it is pretty great and you won’t do much better if you’re looking to be entertained, diverted or, heaven forbid, prompted to think for an hour.

Rather, it’s to consider in real time what constitutes our daily realities and attempt to understand exactly how aware and present we are in them.  Not to mention, what we want to do with them.

Is this considered present?

On a cosmic scale, Joan is not quite as awful as we think but in reality she  is a lot more awful than she ever believed she was. 

If creative content can serve any real purpose in 2023 it’s to show us that we need to dare to do better as we to share our mutual stories of survival.

Before forces beyond our control commandeer our every experience and put their own spin on what is left of our humanity.

“Mirror, Mirror on the Wall” – Snow White

Buh-Bye 2016

screen-shot-2016-12-27-at-9-45-13-am

There is a Yiddish/English expression called kenahora, which when loosely translated means putting a curse or the evil eye on something.   Of course, in usage it generally means the opposite – that is warding off fate from even glancing in your direction in a negative way.

How would this happen with mere words? Well, we Jews don’t like to tempt fate so our thought is that it usually occurs if we were to brag about even the tiniest of good fortune.

For example, at the holiday dinner table your mother says:

You know, I haven’t gotten sick all year. How great is that!

At which point her mother, your grandmother, quickly interrupts and shouts, Kenahora! And then goes one step further and throws salt over her shoulder.

giphy

The latter is a second more drastic step in warding off evil though in truth it actually means blinding the Devil, who we Jews don’t even believe in. So no, that makes no sense but well, historically, once again, better safe than sorry.

Why bring this up? Well, because I was going to open this piece with this declarative statement:

Could 2016 have been any worse????

And then quickly decided against it. With only less than a week left and given my heritage and what’s already happened in 2016 there is no point in taking what clearly is the very real risk of destroying us all. And yes, OF COURSE my mere words have every power to do so. Every religion teaches us that – doesn’t it???

So instead of pushing our luck and asking for any more trouble, kenahora, let’s look back to the year that is almost at its end (Note: No editorializing there) and try to focus on the best and worst of what each of us, in our own special way, have lived through and probably wrought. It’s a limited list, but so probably is our time left here. If you look at it objectively. Kenahora.

MOST SURPRISING POP CULTURE MOMENT OF THE YEAR:

Death

Not a great year for celebrities

Not a great year for celebrities

Let’s get this out of the way first. I mean, George Michael died on CHRISTMAS DAY, 2016 (and then Carrie Fisher dies two days later????). Counting back in no particular order we’ve also lost David Bowie, Edward Albee, Muhammed Ali, Prince, Leonard Cohen, Florence Henderson, Patty Duke, Phyllis Diller and even Zsa Zsa friggin’ Gabor who held on till 99! To say nothing of PBS’s Gwen Ifill, CBS’s Morley Safer, PGA’s Arnold Palmer, NASA’s John Glenn and Everyone’s Doris Roberts. There will also be no more future Alan Rickman performances, Pat Conroy books, Leon Russell songs or Phyllis Schlaffly lectures (thank the Devil). Not to mention, we no longer have the flesh and blood Elie Wiesel to turn to as a historical touchstone at a time when we may need him most.

Am I forgetting anyone? #shade

Am I forgetting anyone?

It also felt 2016 marked the death of logic, of science, of civility and most of all – TRUTH. Though unlike human beings, those last things can once again get reborn. And if you believe human beings can too, please re-read that last things list one more time and reconsider.

MOVIE/TV SHOW/PLAY I CAN’T BELIEVE I SAT THROUGH:

Tie: Nocturnal Animals & Jackie (in no particular order)

Ugh. Not again.

Ugh. Not again.

Both of these movies have absolutely no reason for being other than the egos of the filmmakers. Of course, that would apply to the majority of movies so perhaps it’s not a valid criticism. So let’s put it this way.

Nocturnal Animals has not a real emotion in its seemingly endless two plus hours and is an homage artifice – of human behavior, of reality and of depth. No one is saying that a designer can’t write and direct great films, just like I’ve never heard anyone claim that there is not some writer somewhere that couldn’t conceive and manufacture his or her own fabulous designer suit or even clothing line on demand. It’s just that it takes a great deal of skill and has not ever happened. Though we spring ever hopeful for 2017 and beyond – it’s doubtful.

Maybe stick to making JT look this dapper? #stayinyourlane

Maybe stick to making JT look this dapper? #stayinyourlane

As for Jackie, it’s the first pornographic film I’ve ever seen with nary a sex scene. Rather, it’s a leering, unjust, seedy little dance on the grave of one of the few American icons left who deserves better. Telling a no-holds barred story on the life of Jacqueline Kennedy Onassis will make a fine film one day but this isn’t it. Unless you call watching her roam around the 1963 White House to the tune of Richard Burton singing Camelot as she tries on formal gowns, smokes cigarettes and drinks, some sort of new, cutting edge, cinema verite drama. Natalie Portman is terrific playing a construct of someone who looks and sounds a lot like the former First Lady as skewed fictional doppelganger trapped in the filmed pretention of a cinematic fun house mirror.

 

BEST INSURGENT

Keith Olbermann – GQ Videos The Resistance

Help me, KO, you're my only hope. #forreal

Help me, KO, you’re my only hope. #forreal

Once upon a time there was a sports commentator who became the host of a political show on a fledgling cable network called MSNBC and proved he was not only as smart and incisive as his contemporary counterparts but a lot bolder, uncensored, outrageous and articulate. This all happened during the George W. Bush presidency where he is often credited with being the first and longtime sole credible anti-Dubya voice of American outrage.

Keith eventually left politics and returned to sports casting but once the Pres. Elect who lost the popular vote by 2.85 million surfaced this year as the unleashed GOP candidate for the White House he listened to all my tweets to him and eventually stepped forward once more in a series of brilliantly researched, unvarnished and truth-telling 6-11 minute weekly ongoing video segments. Quite simply, he’s the best around at distilling the past, present and potential future horrors of our Birther-in-Chief and vows to continue to do so until such time as someone else steps up to heed the call. That doesn’t seem likely any time soon. Nor even possible at this point. Here’s a sample:

Click here to watch #RESIST

Click here to watch #RESIST

BEST COMEDIAN OF THE MOMENT

Wanda Sykes

It Girl

It Girl

It’s not only because she’s an out black lesbian married to a white woman in LA. raising kids in a house where one day she woke up and realized she is still and ever will be – “a Black woman who waits on White people.” Though moments like that certainly help.

It’s because she is another one of those people who can’ t help but be a truth teller and will do it at all costs. Like several months ago during a benefit standup performance in Boston where she told the crowd – This is not the first time we’ve elected a racist, sexist, homophobic president. He’s just the first confirmed one.

And when a small but loud group in the crowd booed she had the backbone to tell them to fk off and presented a bunch of examples to prove her point. At which time, they…Well, watch for yourself. Comedy, like tragedy, happens in the moment. It’s just that the take and the tone is different, depending on your audience.

https://www.youtube.com/watch?v=lUjh5cY7MqM

BEST COOKBOOK

Small Victories by Julia Turshen

#DROOL

#DROOL

This cookbook was on the NY Times bestseller list for months this year but I would never have known about it had my friend Howard not got it for me as a birthday present. What makes it great? It’s the simplicity and depth of flavors all done in a homey, readable and self-effacing style.

Julia Turshen spent years as a personal chef and co-authored any number of well-known cookbooks with others. But in this solo effort she shows us the possibilities and accidents to be found either in our cupboards or with a perfunctory shopping list and the numerous choices and variations those foods and flavors hold. You often think – this sounds so simple and easy, how can that be? Well, it can – try the Turkey Ricotta Meatballs and Tomato Sauce.   Or you resist and say to yourself, that’ll be the day I spend any time roasting radishes, much less serving them to guests (Note: You should, with her Kalamata olive dressing Pg. 114).

Did i mention DROOOL?

Did i mention DROOOL?

No, I don’t know her and I don’t get commission. But I do know what’s good.

PERSON WE COULD SEE LESS OF IN 2017 (aka TOO MUCH OF THEM IN 2016)

Kellyanne Conway

Maybe I should have just put in a pic of Jon Hamm?

Maybe I should have just put in a pic of Jon Hamm?

She is the first woman to both manage a major candidate presidential campaign and emerge with a president-Elect. Winning – well, that’s in the eye of the beholder.

There is something about the Cheshire Cat grin, the constant verbal use of the word “Hashtag,” followed by her 49 year old self’s snide, self-satisfied, whiny delivery of the phrase He’s Your President Too, that makes me know she’d be the only one to cast as Lucy Van Pelt in a D.C. revival of You’re A Good Man Charlie Brown.

But I love Peanuts too much to seriously suggest that. Just know that it is likely we will see less of her in the New Year. She’s poised to be working behind the scenes of what now looks to be key advisor to her Oval Office elect guy – a role similar to the one Valerie Jarrett played to President Obama.

God (or whatever you believe Him or Her to Be) Help Us.

MOST REVISITED SHOW (Netflix, Cable, or DVD)

The Twilight Zone

... but I'll take good care of my glasses #trumpamerica

… but I’ll take good care of my glasses #trumpamerica

See above, as well as #1 above. Need I say more? There’s something about it that, well, explains everything. And that’s soothing.

BEST VIRAL VIDEO OF THE YEAR

Chewbacca Mom

She just gives me hope for humanity. Such joy, such humanity, such…hysteria!!! For the longest time I wasn’t sure what it was. The joy of laughter? The ridiculousness of the mask? The iconography of Star Wars, suburbia, motherhood and mayhem?

That is for much bigger brains than me to decide, analyze and then write about in media journals. Here’s what I know – it was the top viral video of the year and was viewed more than 8 million times.

Stay with it.

And don’t pretend you did not laugh once.

And if you didn’t…you’re lying.

BEST GAY THING OF THE YEAR

Moonlight

YES

YES

Three time periods in the course of the life of a young, gay Black man. That’s the logline. But as any artist will tell you, a logline says little about the work it describes.

The majority of critics are calling it the movie of the year and certainly that’s debatable – as any choice would be. What’s inarguable is that it breaks new ground and is something we’ve never seen before – a chronicle of the type of young life in a segment of society that has never been seen onscreen and will be much needed in the 2017 and beyond days to come.

HEALING POP CULTURE MOMENT OF THE YEAR

What was it that Alan Alda’s character posited in Woody Allen’s Crimes and Misdemeanors –

Comedy is tragedy plus time

Well, screw that. And not only because this quote is also separately on record from both Steve Allen and Carol Burnett in printed interviews decades before.

Sometimes – well, actually rarely – do comedy and tragedy come together in one perfect moment to equally express the SADNESS AND HILARITY of what we’ve just endured. This solar eclipse-like occurrence is called true IRONY and when it happens it is truly lightning in a bottle on the pop cultural landscape.

This is what Kate McKinnon and SNL wrought several days after the shocking results of #Election2016. Almost THREE MILLION more in the country were equally devastated that Hillary Clinton would not become president and that an uncertified lunatic would. And a significant number of those SNL watchers were still upset at the recent passing of genius balladeer/songwriter Leonard Cohen, whose seminal Hallelujah has for decades emerged as the bittersweet parable of loss.

But it was not only KM at the piano singing that tuneful dirge with a tear and glint in her eye that brought it home. It was the one line message she delivered when the song was over when, clad in the iconic HRC white pantsuit and perfectly coiffed twelve shades of blonde helmets of hair, she turned to the camera and said:

I’m not giving up and neither should you. Live from New York, it’s Saturday Night (Live).

Amen to both statements.

And #HAPPY2017.

https://www.youtube.com/watch?v=lu3VTngm1F0