Aging Out

In the new, intriguing and highly watchable French film, A Private Life, Jodie Foster plays a smart mess of a psychiatrist who gets caught up in uncovering the reasons behind the recent death of a patient.

I’ve grown up watching Jodie Foster in the movies, mostly because she started as a child and gained worldwide fame and her first Academy Award nomination for playing a street hooker in Taxi Driver.

A PRIVATE LIFE | Official Trailer (2026) - YouTube
Cataloging her long career

She was 12 years old when she made that film and by the time she turned forty she had already won two  best actress Oscars – one for The Accused (1989) and the other for Silence of the Lambs (1992). 

Being a movie star for that long etches your image in people’s brains, especially for a fan like myself.  But nothing prepared me for the moment in A Private Life when they introduce a character who I initially thought was her grandfather but realized couldn’t be because they quickly begin flirting with each other and are soon…

Cover Eyes GIFs | Tenor
yeeps

Well, never mind.

As it turns out, it’s her ex-husband and he’s played by the French actor-director Daniel Auteuil. Even in a French film, this seemed like an odd leap of faith to me until I couldn’t stand it any longer and paused the movie to look up their ages. 

As it turns out Jodie Foster is 63 years-old and Mr. Auteuil is a mere 12 years older.  A perfect age range for the characters but quite a wake-up call for moi.

I mean, how old did I think she was?

A Private Life' review: Therapist Jodie Foster wades into foul play - Los  Angeles Times
We need to talk about Jodie

Of course, I never gave it any thought because even though she doesn’t appear to have had any cosmetic “enhancements” (Note: Or perhaps because of that) she merely looked like Jodie Foster.

Also, she’s younger than I am, so how old could I even imagine she looked? 

I’m not sure but in my mind nowhere NEAR the age where this guy could believably be her HUSBAND unless the MASSIVE age difference was a story point.

Which it wasn’t.

Unsure GIFs | Tenor
I don’t know how to think

The real story here is my reaction and I suspect the reaction of many of us to how we see ourselves, our  peers and the cultural “icons” we grew up with. 

But even more importantly, what we imagine getting “older,” or worse yet, looking older, really means.

Fran Lebowitz was recently a guest on The Tonight Show Starring Jimmy Fallon, an oxymoron if I ever heard one.  In any event, she told a funny story about getting older as a famous person and noted there were really only three categories of age:

Young, old and surgical.

Thanks to social media, one no longer has to live in Los Angeles to feel that way.  All over the country, and likely the world, we refuse to accept not only our age but the age of our icons.

Unless, that is, the icons openly look old or even older.  Or want to continue to play in younger spaces. 

Which these days is pretty much anywhere since everyone has a camera and can post your latest pic everywhere.

Selfie 101 - Juno Power
I mean it with love

Now there is nothing wrong with growing older and, as many an older person told me before I breezed past Jodie’s age, it beats the alternative. 

There’s that phrase, as well as, getting old is a privilege.

a man with gray hair and a beard is smiling with his arms in the air
Sigh

Which you realize, once you get older, that it indeed is since most of us don’t want to die any time soon – hence, the privilege. 

There are recent examples of icon-ish show biz figures making a point of their, um, lack of youth, and using it to their benefit.

Taking the stage at the Astra Awards last week to pick up the creative organization’s Timeless award, the openly 67-year-old actress Sharon Stone recounted how, earlier in the evening, a group of young people who didn’t know who she was rudely accused her of stealing a chair to sit at their table.

Sharon Stone blasts rude kids at Astra Awards who accused her of stealing  seat
Maybe it was the outfit?

After proclaiming, award in hand, now they do, and telling them F you from the stage, she went on to give a memorable speech about artistic determination and preparation, as well as putting any fame you have to use for social activism towards issues you care about.

Sixty-year-old Robert Downey, Jr. cited he was double the age of Timothee Chalamet at a recent event he himself instigated in order to promote the latter’s soon-to-be Oscar nominated performance in Marty Supreme.

Calling the younger actor’s work in the film a generation defining performance in a decade-defining film, the now gray-haired Downey embraced the age difference in front of a room full of potential Hollywood Oscar voters and recalled how much it meant to him when then old-timers like Warren Beatty and Anthony Hopkins reached out to him publicly when he was 27-years-old and blew them away with his performance as the silent screen legend in Chaplin.

Robert Downey Jr. and Timothée Chalamet onstage
game recognizes game

Downey had no trouble embracing his now elder status but no doubt there are a group of longtime fans who shudder at the thought that the quintessential troubled party boy from Less Than Zero or the cool bro they marveled at, Tony Stark, aka the original Ironman, will soon be able to collect social security. 

3 Years of Avengers: Endgame: There'll Never Be A Theatrical Experience  Like This Ever Again
And I’ve turned to dust…

It is interesting to note that none of the above people mentioned quite look their age (Note: Though what DOES any ACTUAL age look like anymore?) to us, whether by design or our refusal to accept the number of chronological years they’ve been around. 

This also begs the bigger question of whether celebrities, or regular people like us, get marginalized for the actual NUMBER or for not looking an indeterminate fifty-ish for the entirety of their golden years right up until DEATH.

Death Becomes Her Isabella Rossellini GIFs | Tenor
Get me Isabella in Death Becomes Her, please

Rachel Ward had a long career in the 1980s, 90s and beyond as a Golden Globe-winning movie and TV star, as well as model, with a worldwide following that Gen X, Y and Z are likely unfamiliar with.  But what they might now know her for this week is being the derisive object of online trolls for daring to appear as her gray-haired, dark-eyebrowed bespeckled 68-year-old real-self on social media in order to promote her Australian farm and its sustainability initiative. 

I mean, how dare she? 

Rachel Ward, The Thorn Birds, Instagram
Side by side

Now, was I shocked when my husband showed me the picture above? 

Um, yes.  And then I was both appalled and surprised.

At myself.  

Because on closer inspection I thought she kind of looked hippy dippy good! 

Maybe I’m finally beginning to evolve for the better.

Gold Star GIFs | Tenor
Giving myself a gold star too!

Which is more than I can say for the rest of the country and the world at this point in time.

About so many things.

Lana Del Rey – “Young and Beautiful”

A Real Piece of Work

Screen Shot 2014-09-07 at 12.22.38 PM

Nothing is permanent but change, said a Greek philosopher named Heraclitus around 500 BC. Well, one doesn’t have do be an expert in Greece or philosophy to know that this was rather prescient.

Imagine saying something – anything – that is still relevant 2500 years later?

Joan Rivers stayed relevant for at least that long. Okay, maybe it’s more of a “Jewish” 2500, which in my tribe would translate to a lifetime. But if you play it right, one lifetime is enough. And who knows, maybe all those centuries later someone will still be saying, Can we talk, as they dish the latest fashions on a show someone else is watching via some random iPhone. Which at that point will probably be an invisible Nano chip implanted directly into their EYE, rather than the i’s we now all know and love.

The death of Ms. Rivers this week – or Joan, as I was fortunate enough to call her the several times we met – collided with a lot of other renowned celebrity deaths and worldwide news in the last few weeks. But none so strangely 2014 Joan-worthy material as the massive iCloud cyber theft of naked photos of Oscar-winning actress and reigning American sweetheart Jennifer Lawrence, among others, that went viral. It’s sort of beside the point – or perhaps it is the point – but I keep wondering, what would Joan have had to say about all that?

Oh please, if I looked like Jennifer Lawrence naked you could’ve seen those pictures on every website in the world – but never for free. Dumb bitch!! Doesn’t she know one day those boobies will be mopping the floors for free?? (Insert Joan miming a boob mopping visual).

Or maybe she would have taken a different tack about any woman misguided enough to even snap pictures of themselves unclothed-

What is wrong with them? I’ve never even seen myself naked! How do you think I lived this long? (beat) And you wonder why Edgar killed himself.

Oh, grow up!!! You think she wouldn’t have gone there? Well, maybe she would have but surely she would’ve been funnier – a lot funnier. A lot, lot funnier. Which is one of so many reasons why we still need her around.

Would you expect anything less?

Would you expect anything less?

I tweeted this week that Joan Rivers was the only person who could offend me and make me laugh at exactly the same time. I meant it as the highest of compliments. I tend to lose my sense of humor about certain subjects that cut too close to the bone. For instance, I don’t find AIDS jokes funny. In the same way my parents’ friends don’t like to yuck it up about the Holocaust, Mel Brooks’ The Producers not withstanding.  Yet on the latter point here was Joan just a few months ago on The Tonight Show with Jimmy Fallon, explaining why she arrived to the studio late.

…They sent this big stretch Mercedes limousine for us and it got stuck – it wouldn’t move for two and a half hours! And I’m thinking the whole time, the Germans killed 6 million Jews and you can’t fix a f-cking carburetor?!

Oh Joan, Joan, Joan.

There is a brand of groundbreaking comedians who changed comedy so drastically that we will never quite see the likes of again because the times have changed so drastically since they started performing in the early and still uptight 1960s. Little-known names like Richard Pryor, Bill Cosby and Woody Allen (not to mention the tail end of Lenny Bruce) scrounged around the seedy little Bohemian nightclubs of Greenwich Village, New York hoping to board the train of fame and fortune but happy just to be making a couple of bucks.

That was a time when there were exactly two mainstream female standup comics in the entire world – Phyllis Diller and Totie Fields – neither of whom were in their twenties. But every so often through force of will and talent – and often it takes both – someone breaks through the glass ceiling that Hillary Clinton so famously referred to in her 2008 concession speech for the Democratic presidential nomination. This does not mean that even now we live in a post-racial, post-feminist, post-Holocaust or post-gay world – as any number of recent news events certainly bare witness to. It only means that occasionally an individual comes along that won’t be stopped, and they open the door for a few others of their kind who manage to sneak through, which makes the entrance even bigger for a larger but still select group of some more of their types to come in. That is, until it’s the turn of another totally different individual of still yet another group or sensibility – when the cycle starts all over again.

We can thank Joan for paving the way for these ladies

We can thank Joan for paving the way for these ladies

The Bottom line – or – to put it another way: It’s never particularly easy – ever – for anyone who aspires to be at the top of anything when they do not act or look like everyone else at the peak of that mountain that they aspire to.

The terrain one takes to get to the top of the mountain keeps getting updated but the climb is not dissimilar. And it’s an ongoing, lifetime fight that’s a lot more difficult to deal with than the cyber stealing of a celebrity’s private nude shots. Sure, the latter seems particularly sleazy and heinous at this time but is it any worse than the distribution of previously unseen nudies some unscrupulous photographer took that caused now famed TV and musical theatre actress Vanessa Williams, then the first black Miss America, to be deposed from her throne in 1983 for something she did when she was broke and needed the money? Those same types of photos were also taken three decades earlier of another young, aspiring star – Marilyn Monroe. But both didn’t do too badly for themselves (well, relatively) even as they tried to exploit, and in turn found themselves exploited by, the business they so very much wanted to become a part of.

One might argue that it is different in the case of the Jennifer Lawrence photos since they were private and not done under contract or paid for like the others. But that is precisely what is NOT the difference in 2014. NOTHING. IS. PRIVATE. Especially when it is committed to film or still photography. And most especially when its owner posts it anywhere online. Rule of thumb: assume once you’ve posted it anywhere it can easily be accessed ad infinitum everywhere.

Truth!

Truth!

Joan Rivers recognized where this was all going decades before any of the rest of us did. She operated from the idea that nothing was sacred – especially when it applied to the rich and famous – meaning the people who could afford to take it. And most especially when it came to her stock in trade – laughter.

When another funny woman, Nora Ephron, died several years ago, many of the post mortems cited one of her mottos that she claimed was given to her early on by another comedy writer – her late mother and Hollywood screenwriter, Phoebe Ephron. And that advice was:

Everything in your life that happens to you is material.

Joan took this adage one step further– Everything that happens to anyone else, everywhere else is your material.

And she would tell you where to stick it.

And she would tell you where to stick it.

Joan used this material for her comedy and she was fearless about it. She may or may not have meant it as a motto or way to live in the new 21st century world we are all forced to inhabit but when you stop and think it just might be a pretty smart strategy to realize that:

Nothing is sacred and not much can be hidden. So it’s probably a lot better to be open and honest about it all than to try and pretend you or it are something you’re not.

After all – as one speech teacher said to me years ago when I confessed I was quite nervous to get up in front of a room full of people – everyone goes to the bathroom the same way. Just picture them doing that – or naked in the shower. That should set your mind at ease. (Note: Yes, a teacher in school once told me that. And you wonder why I followed in that person’s footsteps).

But back to Joan, who I’m very happy not to ever have to follow even though in some small way I am.

The early days

The early days

Longevity and fearlessness are rarities in the Business of Show and even more infrequent in the Business of Life. People flame out – their fires doused by others or the group efforts of the unfriendly worlds that cohabitate all around them. That’s why a career of almost 60 years with its countless ups and downs, triumphs, offenses and reinventions – and most importantly – unerring ability to stay relevant to audiences and pop culture no matter what the cost – is worth saluting. Can you name another 81 year-old entertainer starring in three television shows and still doing 300 club dates per year cracking up people all over the world (or even offending them – it’s just the opposite side of the exactly the same coin) up until the night before they died? I certainly can’t. (Click here to take a small break with some of Joan’s best work)

Full confession: Despite having some mutual friends, I only got to speak to Joan at any great length more than a year ago at a friend’s birthday party. She was funny, self-deprecating and incredibly smart and well read – a softer, more thoughtful version of her stage persona – and a lot more gracious that I expected. After several hours together – and in one of the rare moments when the laughter died down – I decided to go for it and share something I told her I had always wanted to say to her. A long beat went by and she looked at me a bit fearfully and said, uh, oh.

My own "Can We Talk" moment

My own “Can We Talk” moment

Oh no, I responded, it’s nothing bad.

Okay, she said, still not quite believing.

It’s just that – I always wanted to thank you. See, in the early eighties you did the first AIDS benefit I ever went to at Studio One (NOTE: A small gay nightclub in West Hollywood) and it was at a time when no one else famous was really speaking up. I just so really appreciated it. As did many of my friends who are no longer here.

She looked back at me sincerely and said thank you and revealed that she had received several death threats that evening if she dared to perform.

Weren’t you afraid, I wondered?

A little, she responded. But we hired a couple of big bodyguards, who I’m sure everyone thought just worked there. I would never NOT do the show because of that.

Fearless.

In the middle, at the beginning and to the very end.