Curious Jane

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If you’re not a naturally curious person – or, like me, are someone predisposed to restlessness, depression, boredom or complacency – it’s easy to fall into a rut of mere…existence.  Even if you are none of the above, there are too many days we all spend lying around watching or living the equivalent of bad reality television.  Or even worse, munching on our favorite snack foods of choice (Note:  Mine are Whole Foods organic corn chips and Trader Joe’s hummus) as we endlessly scroll down a list of never-ending social media feeds of our choice.

I think of this when they say the world is more divided than ever.  And no – you are not the only one.

Perhaps this is a mere by-product of western civilization and one of the side “benefits” of living in a country that, despite its recent economic hardships, still has a population that on the whole live better than most anywhere else in the world.  But I don’t think so.  As you get older you realize the world is generally divided into two kinds of people – the doers and the thinking about doing; the engaged and the I’m sooo tired and please pass the drugs or the cookies kind of guy/gal.  Depending on where we’re at in our lives, the overwhelming majority of us alternate between both types – sometimes even in the same day, week or even – hour. (Note: Guilty as charged).

Queen Fonda

Queen Fonda

Jane Fonda received the American Film Institute’s life achievement award this past week – only the eighth female honoree in 42 years – and in the closing marks of her acceptance speech left us with this sage advice:

It’s much more important to be interested than be interesting.

That might seem like a paradoxical statement coming from one of the most interesting American women (whether you like her or not) in the last century but it got me to thinking – doesn’t one beget the other?  In order to be interesting – especially to yourself, don’t you have to stay interested?  I mean, what’s worse than hearing the endless drone of your same complaining, miserable inner voice verbalizing the same continuously familiar issues you’ve had with the world or your friends, family and self for the last decade, year, or even less?  Nothing.  Not even the prospect of Andy Cohen’s recently announced reality series on Bravo entitled – “I Slept With a Celebrity.”  Though admittedly that does come a close second.

Ugh... envy is not my color.

I can’t deal with this guy

But back to Jane.  Anybody’s who’s read this blog knows I have an unrequited love affair with La Fonda, in great part due to her extreme intelligence, talent and ability to transform herself for so many decades into so many areas of accomplishments that have impacted the world in both small, great and arguably, even not so great ways.  Not to mention, she still looks good at 76.  Yeah, she’s had advantages of birth, money and talent in getting there – but the world is littered with dead or screwed up millionaires and members of royalty, not to mention the horribly altered faces of celebrity plastic surgeries at much younger ages.  There’s got to be something else, doesn’t there?

To stay engaged and curious and, well, interested in something other than yourself or The Housewives of FillintheBlank is an essential antidote not only to aging but to one’s predisposition towards boring oneself and others literally to death.  Actually, it’s more than that – it’s a miracle cure.  Because nothing takes you more quickly out of yourself or your own ennui than trying something new or forcing yourself to speak to someone else about anything other than you.

Jon Hamm approves.

Jon Hamm approves.

But make no mistake – changing it up with something or someone else does not necessarily mean you will feel better. I mean, put on Fox News or MSNBC at any moment on any given day and you could easily feel angrier than you have in weeks.  Plus, more often than not you have to hold yourself back from throwing something very heavy and large at the television screen.  But even that impulse has at least gotten you out of the endless morass of complacency and given you a new reason to live – if for no other reason than to douse a very large vat of stale sour cream all over the poufy hair of Sarah Palin when she bellows that the father of a recently released, sick POW of five years is anti-American because he chose to grow a long beard and speak the language of his son’s captors in order to get them to listen as he pled for his boy’s life for well over half a decade.

Yeah, I’ll take the prospect of stale sour cream dripping (slowly and messily) down Sarah Palin’s noggin over crippling depression or an endless loop of Hashtags about the Twilight The Fault in our Stars movie any day of the week, month or year, thank you.

stop the violence

stop the violence

In the last few weeks since returning from my first and fabulously perfect trip to Italy – a journey I’ve wanted to make for 30 years but found countless excuses not to ever go on – I’ve been on a roll of forcing myself to do a bunch of new things.  And when I say force, believe me – it’s a constant struggle.  Because in my brain, chips, dip and mindless TV are ALWAYS calling.

Still, without even giving up the chips and dip totally (Note: Because who can or would even want to) I have also managed to break through all resistance and:

  1. Attend the LA Opera version of “A Streetcar Named Desire” starring Renee Fleming downtown at the Dorothy Chandler Pavilion.  Listen, I’m not terribly interested in anything operatic – okay, not in the least – but I have to tell you I am still amazed at the unbridled originality on that stage.   Plus, fun fact – did you know Ms. Fleming, the most famous still working opera singer in the entire world today, is actually from – Syracuse, NY?

    a different side of the stage

    a different side of the stage

  2. Read the best account of why it’s not okay to let people hire you to write for free.  It was on the blog page of the digital NY Times– something I never read.  Yet in my new strategy of making more of “an effort” I actually click and read something I was referred to by Twitter in its entirety and found that I’m far from alone in being offended by the fact that Arianna Huffington pays NO WRITERS (other than the few she has on staff) at The Huffington Post any money at all. And I pass this on not only as a service to other writers or to those who aspire to write for anyone other than themselves at any time in their lives but also to all their future free-loading employers  (Note:  No, it is not lost on me that I am not being paid to write any of this for you nor do any of you have to pay to read it. (#LifeIronies #StillFigurinThatOut).
  3. Have even met a new producer I am about to be in business with.  I can’t go into the details yet (Note:  I don’t mean to sound Hollywood but, well, I guess I do live here) though suffice it to say that as a creative artist you find stories to tell in the strangest of ways.  And often it’s in the form of random introductions from others you know who happen to speak with someone they know or work with on the fly.  If you don’t believe me, let me add that someone very close to me had that exact same experience just several days ago but with different people (Bottom Line: If no one took the time to speak and really hear from a random somebody – nothing – and certainly none of this stuff you can’t but one day will be able to talk about – would ever happen.

    The Divine Mr. Puddles

    The Divine Mr. Puddles

  4. Change my mind about performance art and hear one of my new favorite singers in the world perform live.  So what if he’s an almost 7 foot tenor in a clown suit named Puddles?  I have tickets this week to see him in Hollywood in a show called “Puddles Pity Party.”  Yeah, I’ve posted his songs before but can you imagine the guy in the flesh????  It almost beats singing show tunes at the top of my lungs in the shower while pretending I’m onstage at Carnegie Hall.  And all because I chose to indulge a Facebook friend who kept insisting I actually watch and listen to a video from a dude who headlined some weird show at some local bars in Atlanta.

(Side Note:  Puddles works with a great YouTube site called PostModernJukebox.  Do you know that in a bookstore in Rome, Italy three weeks ago I heard this terrific young singer in the background on their sound system and when I asked the gals behind the counter who it was they told me they didn’t know her name but they found her on that very same You Tube site?  And you thought it was just me and sometimes you if you make an effort who find this “nameless” new stuff no one else wants to hear about until they do?)

Of course, this all begs the question of the true value in social media.  Certainly there is something awfully mind-numbing about refreshing your Facebook feed for hours on end a la the fictional Mark Zuckerberg in Social Network or falling into the dark pit of a three-hour You Tube surfing loop that begins at midnight as I recently did several days ago.  However, social media used for good – that is, for curiosity and discovery and, well, 21st century learning – can actually be a positive force for us all.

Using those fingers for good

Using those fingers for good

The fabulously talented Helen Mirren – a dame I usually love, disagrees.  In a recent cover story for AARP magazine, where she was interviewed from her villa in Tuscany (is there an Italian theme here?), the 68-year-old actress had the following to say about the time-suckingness (it’s a word now!) of the media the rest of us like to refer to as, among other things, social.

 It reminds me of a stinky old pub.  In the corner would be this slightly disgusting old man who sits there all day, every day.  If you went up and talked to him, you’d get the kind of grumpy, horrible, moldy, old meaningless crap that you read on Twitter.

Well, at least she’s got an opinion.  And I’m willing to give HM a pass since I met her at a private screening for six people at a filmmaker’s home some years ago and can report she was smart, funny and overall pretty fabulous.  See, the truth is, like all the rest of us she might feel this way about Twitter and the like on any given day but I doubt in the blankedly dismissive way it comes across in that story.  Though there would have been no way for me to know that had I not gotten up and out of my house that night to attend that very small rough cut screening of a low budget film I almost wound up not going to at all out of sheer…unmotivation.

(Side Note:  Is it just me (that is to say, more than it usually is) or is it to the overall discredit of AARP, an organization touting the virtues of those 50 and over, that they put someone who looks as good as Ms. Mirren on their cover and then felt obliged to airbrush out her true looks to resemble that of a wispy 25 or even 35 year old?

She's thinking: I wonder if they'll photoshop me within an inch of my life?

She’s thinking: I wonder if they’ll photoshop me within an inch of my life?

I’m not sure if they’d do that to Jane Fonda, but mentioning her once again does provide me a segue into one final piece of advice on what to do when you’re too caught up in yourself and not enough at the world around you.  And I leave you with this not because I’m obsessed this week with the opinions of larger-than-life female movie stars (Note: this week?) but that…okay, well, maybe I am.

What can I say... the Chair loves me!

What can I say… the Chair loves me!

Reflecting on the rare opportunities she has had to meet, work with and get to know such legendary actors in the past as Bette Davis, Barbara Stanwyck, Katharine Hepburn and Lee Marvin – and to have had still another legend, Henry Fonda, as her own father – Jane had this to say to the crowd at the AFI, and to all of us.

I’ve been blessed to know many geniuses; real geniuses in our business…and so many are gone now.  And I (now) ask myself, “Why didn’t I ask them more questions?  When you’re with people who have been at it a long time, ask questions.

Not to mention – even if they’re new to it they still might able to teach you something you didn’t already know.  Or wake you from your lethargy and cause you to move forward.

New Mad Beginnings

 

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Beginnings are difficult for everyone – even Mad Men.  Not that the season 7 premiere Sunday night was bad.   But just like the announced passing of the CBS late-night torch to Stephen Colbert from David Letterman last week, it leaves a lot unresolved as to what the final verdict will be.

This is, of course, what great writing, great TV and a great life are all about. What’s the point if from the very start you know what the outcome will be?  You have to take risks, be a little messy and certainly subvert expectations a bit – especially if you want to land at the very top of your game by the time you get to the finish line.

This is echoed no better than in the words of Mad Men’s anti-heroine Peggy Olson – the slightly mousy 1960s gal from the boroughs who has now made it all the way to her supposed dream advertising job of creative director – when she flips out at all the easy-answer mediocrity surrounding her and screams at anyone in the office who will listen:

You’re all just a bunch of hacks!

Never mind that Ms. Olson, who is clearly correct in her assessment, ends the episode crying alone on her living room floor in sheer exasperation at what her life has become.  Please, who among us hasn’t done that at least more than once in their lives while striving for greatness? Well, if you’re not among them then you’re also not a part of the very large group of us who have also bellowed in frustration about the sheer creative laziness of co-workers and/or competition in your industry and the ways in which that type of behavior goes rewarded.

Plus girl can wear the crap out of a pantsuit

Plus girl can wear the crap out of a pantsuit

Count me among both the screamers and the criers AND as a Peggy Olson-esque persona who is damned proud of both.  Not that this is any guarantee of happiness.  Though certainly it does not mean you are sentenced to a lifetime of misery.  All it indicates is that you’re willing to take the chance at following your own path.

This ensures a constant lifetime barrage of new beginnings – of starting over and over again fairly consistently – never sure of what the final result will be but positive that at least you are doing the best that you can.  And that if your best doesn’t work you can always start over once more.  AND that, in the end, you are okay with that.

What’s fascinating is how the reaction to those who live this kind of life credo has not changed all that much through the ages.  For example, though Mr. Colbert taking over the late-night spot held so long by David Letterman evoked all kinds of positive responses last week, there was also an equal amount of hysterical trepidation.  Would Colbert on one of the major networks be de-fanged and become the dreaded kinder, gentler and horribly bland comedian?  Isn’t the late-night big network format in general too old for words, ensuring that anyone with an edge or formerly known for having an edge and now trying to become mainstream, would surely be doomed to failure?  And then there’s my favorite – why can’t we just have The Colbert Report and The Daily Show starring Jon Stewart forever?  Why does television always have to mess with a good thing in search of more audience, much more money and the most in ratings?

and why mess with an EGOT winner anyhow?

and why mess with an EGOT winner anyhow?

There’s only one simple answer to this and all of life’s questions – evolution.

You might think now that you want an eternity of The Colbert Report and The Daily Show but at some point they will seem as dated as the recording of last year’s Blurred Lines is now finally (and thankfully) beginning to feel.  And I know this for sure because I’ve lived through eras when Vanilla Ice, Kirk Cameron AND Arnold Schwarzenegger were all at the very top of their fields and seemed unlikely to ever disappear if the public had its way.

Mr. Colbert is smart enough to know all of the above as well as a lot of other stuff.  That’s why he is who he is and where he is.   He’s not afraid to evolve and his fans should allow him to lead the way.  Besides, how extreme do any of them think that change will ultimately be?  Has anyone watched Late Night with Seth Meyers?  I’m a big fan but much of the first half of his show, especially his monologue, is nothing more than an expanded version of the Weekend Update segments he rose to fame with on Saturday Night Live.  Jimmy Fallon on The Tonight Show is simply a slightly modified riff on Late Night with Jimmy Fallon with a few more mainstream jokes and celebrities and a slightly better set.  Though it is technically 60 years old, the current Tonight Show has evolved into something quite different from those led by the five and a half hosts that came before Fallon (Note: the half being Conan O’Brien).  Tune into Fallon any night of the week and you’ll hear not only a different theme song but see a series of fan-based, softball interviews that have nothing at all to do with what Steve Allen, Jack Paar, Johnny Carson or even Jay Leno did with their guests.

Though I doubt you'd see Johnny playing sticky ball with Harry Potter...

Though I doubt you’d see Johnny playing sticky ball with Harry Potter…

As for Colbert, he will be NOTHING like Letterman but probably more than a little like the fictional Colbert character he played for years on Comedy Central sans the self-reflexive conservative bigotry. That’ll be yet another in a string of new beginnings that, when you look closely at them, are really much needed readjustments and jump-starts moving us (and him) to the next level and the future.

Which brings us back to Mad Men.  It is now 1969 and there is nothing as prescient as looking at one of the most turbulent social upheavals in American history through the lens of hindsight.  Women like the aforementioned Ms. Olson didn’t seem to have a chance back then – except when they did.  But Ms. Olsen didn’t know that and it is this struggle that makes Mad Men so endlessly fascinating even when one fears it is drowning in a series of clichés.

No decade or the music or the clothes it spawns seem trite, corny or overdone at the time.  Which is why everyone should bridle at the all-knowing critiques of the first episode’s portrayal of late 1960s L.A. fashion, housing and slang.  Yes, women wore earrings THAT BIG and skirts THAT SHORT.  Yeah, men in their thirties, forties, fifties and sixties grew out their sideburns, donned love beads, smoked grass and said phrases like FAR OUT.  And if not every young person in their twenties hit their parents with lines like anger can’t make anything better, only love can those that didn’t certainly didn’t find anything out of the ordinary when that kind of thing came up in conversation.

Perfectly acceptable clothes to wear while picking someone up at the airport.

Perfectly acceptable clothes to wear while picking someone up at the airport.

The year 1969 in America is probably one of the most difficult to film and not merely because of Richard Nixon, the Vietnam War, the moon walk (Note:  Neil Armstrong’s, not Michael Jackson’s) and the various other socio-political events of the day.  It is because that year was still full of unbridled idealism about the power of love and the non-violent changes it could evoke.  It was also due to the fact that the world was still filled with bright primary colors that were seen as hipper than hip rather than a silly throwback to the faux lollipop world of childhood.  And, as a west coaster of 30 years I am proud to say it is in part because California was undeniably THE go-to destination city for a front row seat to every last drop of all of it.

Watching an iconically handsome, square-jawed Madison Avenue idea man like Don Draper maneuver through an over-accessorized Canyon home in 1969 Los Angeles is a bit akin to seeing the oil-slicked fish of the Louisiana gulf coast struggling to survive the BP oil spill.  We know something has gone terribly wrong and even though what we’re seeing is true and probably important, in both cases it’s just not very pleasant to watch.   Even when Don goes back to his fabulous penthouse in New York City it doesn’t feel much better.  He’s lost his footing – as most people his age had in 1969 – and the cold cruel reality of change is beginning to literally enshroud him by the end of the premiere episode.  Much like the decade itself, there was little irony to be seen in that.

So where's this all going to lead?

So where’s this all going to lead?

Matthew Weiner, Mad Men creator and the writer of last night’s premiere, as crafted yet another new beginning for a TV series that continues to reinvent itself for every year of the changing decade it portrays while remaining essentially the same at its core.  He knows what he’s doing even when the rest of us have our doubts and that is how it should be.  Artists, like friends, family members and even some politicians, earn your trust over time by living their lives this way – either publicly, privately or both.  It doesn’t much matter whether they fail or succeed with each decision they make or in any given moment they decide to create or even live.  What matters is the overall effect on both the world and on you.  As a die-hard fan of Mad Men and the 1960s who knows all too well the value of new beginnings I’m willing to trust the process for now and go along on the ride.  If things go awry, I can always protest. Or maybe create another new beginning and do better on my own.