Sometimes It Takes a Long, Long Time

This week the Internet broke over an hour of television that traced the relationship of two middle-aged gay men during a fictional apocalyptic pandemic. 

It was the third episode of the gargantuan new hit HBO series The Last Of Us, which is based on what is acknowledged to be one of the best videogames ever made.

As a middle-aged gay guy who has never been into videogames and who long ago gave up being mainstream, this was quite a shock.

OK, I did dabble with this Queen.

Nevertheless, it was a pleasant one, since it vaulted one of my favorite records of all time, Linda Ronstadt’s 1970 hit, Long, Long Time, to the top of the 2023 streaming charts, where it continues to stay. 

The teenage me, who longed for love in exactly the way Linda did in that song, could never have imagined our anthem could sit, sit, sit there for this long, long, long of a time.

Yes, Linda, Yes!

The same shock might be said for those of Asian descent who have watched the film Everything Everywhere All At Once emerge at the top of the pack of award contenders for film of the year.

Its latest achievement was to lead the recently announced Oscar nominations by picking up 11 nods.  That includes a first time ever best actress chance for an Asian identifying woman, its star, Michelle Yeoh.  (Note: Okay, back in 1936 the biracial Merle Oberon was nominated in that category.  But she never came out as part Asian nor was it EVER discussed). 

Icon business

Sure, a non-English language film like Parasite shockingly won best picture in 2019 but it wasn’t a Hollywood made film about an American family.  It also wasn’t the kind of mainstream American box-office hit using newer American cultural storytelling techniques inspired by the younger skewing gaming industry.

One can only imagine how encouraging EEAAO is for aspiring Asian artists coming of age right now in post insurrection America.  Not to mention any young person who longs to see film or TV hits, both commercial and artistic, that offer up stories in more varied and less traditional ways that they can relate to.

I did not have “rocks with googly eyes making me cry” on my Bingo card

As a consumer and writer barely clinging to middle age, I will admit it took me a bit to get on both The Last of Us and EEAAO bandwagons.

I watched the first episode of the HBO series when it debuted a few weeks ago and was mixed.  The acting was good but it was so frenetic and with so many characters and situations that were vaguely defined that I ultimately decided I didn’t care much.  I raised this with a group of college seniors who I instruct in TV writing and they assured me everything would become clear soon and to stick with it. 

As most adults do, I promised to maybe take a look again with very little intention to do so.

Just being real

Until the explosion of week three when middle-aged gay, gay, gay romance became a TV thing and a mainstream videogame story instantly became more inclusive by way of Linda Ronstadt.

I’m listening…

The same thing happened with EEAAO, a movie I admired for its audaciousness but lost me in the second act and didn’t do much for me emotionally when I saw it the first time.

But with all the praise and Oscar nominations (Note: Awards that I still pretend are very little indication of anything by ignoring my lifelong obsession with them), converged with the fact that I was now facing TWO thesis TV and Film writing classes to whom the film’s narrative and execution HEAVILY spoke to, even ever intractable me had to take another look.

And am I glad that I did.

Letting myself get into it!

Not only did it teach me that, okay, I can occasionally be wrong about a few things, but that there are infinite ways to tell a story. 

And just because your limited mind isn’t used to them that is no reason to shut the barn door and sit in the slop with the rest of the close-minded pigs in your sty.

(Note: Pig sty and barn door analogies?  Really?)

Linda would approve!

It also once again taught me something else.

Representation Matters.

These days that term seems to come across as a political diatribe.  A must have, a demand, or at least an incessant want of too many of the “woke.”  Or woke mob.  Or… well… choose your adjective and noun depending on who is speaking.

But all it really means is a longing to be seen and heard.   A path to get listened to and a means to include oneself or one’s group in the world that might also open up the world’s hive mind.

Did I mention how good Linda is???

It’s a desire, ironically, to be acknowledged as a part of the pack.

Now this doesn’t stop you from still being an outsider, or prevent you from striving to stand out and lead that world pack in a different direction.  Just as it won’t prevent you from continuing to be stubbornly indifferent, ahem, to anyone unlike you and yours.

But in order to ensure the personal freedom to live our lives the way we see fit (Note: As long as we are not causing others physical harm), those in the pluralities and underrepresented need to be visible and seen in order to get included.

We see you!

One of the easiest ways to do this is in your choices, and tolerance, for films, television or anything else that might diverge from what you consider on first view to be your own very, very VERY good taste.

This goes especially for those barely clinging to middle-age.

Linda Ronstadt – “Long Long Time”

Choose Life

I’ve been trying to wrap my head around the death of a former student this week.  She was 28 years-old, super creative, smart and hard working.  More importantly she was one of those people who was just a bright light in rooms where too often we’re surrounded by dim bulbs.

This is not to exalt my student into a deity.  It was just that her essence seemed to radiate outwards and make people feel good.  This was confirmed to me in the last few weeks where dozens and dozens of people posted similar testimonies online.

Some people really do seem this big and full of life… she was one of them

My student was not ill nor was she the victim of a crime.  Her death was apparently an accident, and, as a young white woman, it was unsurprisingly not at the hands of law enforcement.

This observation is not meant to be snide or timely. It’s more to put it into a 2020 shorthand that can be most easily understood given the reality of what we’re all living through right now.

Loss is loss but death is death and life, such as it is, is life.

Yes, you may write that down.

Roger that, Chairy

Loss hurts, loss makes you angry, loss can overtake your every waking hour and loss can take a lifetime to heal, if it ever fully does.  Of course, the truth is it never quite does, nor do you really want it to.  The loss, whether you like it or not, becomes a permanent part of the ever-evolving imprint of you.

What you choose to do with the loss is your own business and your own decision.  But if it’s true loss there will be a scar, visible to others or not.  To expect this not to be is to pretend your face in middle age and old age will look exactly the same as it did when you were 28 years old.

That statement alone brings up all kinds of images to me of my lovely former student whose face will now never change.  But it is also a reminder of the luxury of aging and the opportunities it can afford if you make it past 28 years old.  Most of us spend so much time wishing or trying to believably look frozen in our late twenties as time rolls on that we forget the true cost of what it is to actually do so.

This brings us to life and death.

It might not sound cheery but, trust me, it is.

Coexisting

Anyone who has managed to navigate deep loss and come out the other side, no easy feat, can tell you that there is no real choice in the matter despite how he/she might have been leaning in any given moment.

However crappy life and the current events that accompany it may seem, it still beats the alternative of trading places with that person whose time was cut so drastically short and for whom a tiny part of you will always mourn.

Watching tens of thousands of people line up in the streets of most American cities and towns demanding racial justice and shouting that Black Lives Matter these past two weeks is both powerful and enraging.  But the fact that the overwhelming majority of Americans (Note:  Now about 67% of us) say they support both the cause and the demonstrators is encouraging.

Powerful art right in front of Grauman’s Chinese Theater

Still, even more discouraging is the irrefutable truth that an endless daisy chain of non-white families will continue to sacrifice a loved one to systemic racism and law enforcement right before our eyes, live on our screens, unless we get over ourselves and what passes for our lives at this particular touch point in time.

Despite two weeks of nationwide demonstrations the latest public sacrifice happened Saturday morning in Atlanta to 27-year-old Rayshard Brooks, an African American male, father, sibling and child.

Yet again

Mr. Brooks was asleep in his car at a Wendy’s parking lot when police approached, woke him up and spoke to him for a while before putting him under immediate arrest for no pressing crime.

A scuffle ensued and they pulled out their taser gun to shoot but Mr. Brooks grabbed the taser away, turned and ran in the opposite direction on foot, only to be shot dead in the back at point blank range.

They never got to the almost nine-minute knee on the neck public police execution of George Floyd in Minneapolis several weeks ago that ignited the current ongoing national uproar. Instead Mr. Brooks’ very public death mirrors the more commonplace executions of youngish people of color by law enforcement that the American people have been out in the streets demonstrating against in the name of George Floyd to begin with.

How many more faces will we need to add to this? (New Yorker cover by Kadir Nelson)

This latest iteration of “disruptors” standing directly on the Atlanta interstate blockading traffic as buildings crumble in fiery protest across the city are what pass for the principal signs of life in that area.

Meanwhile, the rest of the city and country reels in a sea of loss, none more so than the family, friends and children this latest “incident” leaves behind.

In this current scenario, of course Mr. Brooks is cast against his will as death, his being the latest in a very specific epidemic that merely serves to remind us of all the many iterations that came before it.  Not to mention the many other memories of loss and death that surface for those of us living through this modern day dystopia unrelated to him or his family.

A sign for our time

One could argue, of course, that to choose this kind of life on the streets of America is to not choose life at all but rather one long infinity of prolonged pain leading into our masse eventual death.

Yet as the body counts rise and the mourning pain deepens it might help to remember that the one cool constant thing about life is you can still change your mind.  Meaning that you always have the choice to do it a different way until death comes knocking, or rather, barreling through your door.

Unlike Mr. Floyd, Mr. Brooks and the many other ageless faces of those who’ve touched our lives whose choices were taken away long before their time.

George Harrison – “What is Life”