The One Where I Finally Understand

I have an on and off relationship with the TV show Friends and that is as it should be. 

Or, to put it in the lexicon of the series, I’m never quite sure if we truly love each other or are just taking a break.

I see what you did there!

As its creators Marta Kauffman, David Crane and Kevin S. Bright recalled in the new HBO Max special, Friends: The Reunion, the one-line pitch to network executives about the series was always this simple:

That time in your life when your friends are your family.

So naturally there comes a point when you move on, other priorities take over and you begin creating your own family

At least that’s the way Kauffman put it in a series of interviews sprinkled throughout the special.

Hearing it said out loud in such stark terms I finally understood all these many decades later, in the 20-twenties, why a television series that became an international phenomenon from 1994-2004, and continues to this day, and will likely continue for generations to come, was never MY story.

Let’s unpack that Chairy…

I’m one of those people who never thought of moving on from my really good friends.  I knew early on I didn’t want to have kids and wasn’t going to have kids. I knew my real family would be my friends, and whatever relatives I chose to stay in touch with.  I didn’t make a distinction because there NEVER WAS a distinction.

I knew that I could create my own family any way that I chose to.  It would not even for a millisecond occur to me that the people in my life closest to me, who I’d love most in the world, could NOT include those who were my dear, dear friends.

Some of this has to do with being gay and of a certain age.   Many of us LGBTQ baby boomers simply didn’t fit into the hetero-normative margins of the straight world so we fashioned an even more fun, kind and loving one comprised of OUR friends. 

You didn’t necessarily have to be queer to be part of that world.  You just hand to get it, be there and love us.

Sound familiar?

Phoebe gets it

It is important to note this was done not out of resentment but of choice.  If you grew up the way I did, at the time I did, moving on wasn’t on the table.

To have a real, true friend meant you had a forever family.  Especially if you had lived through the eighties and early nineties period prior to when Friends debuted.

A reminder of how painfully 90s Friends is

It was the height of the AIDS epidemic and by 1994 each day was like climbing through the rubble of a nuclear holocaust if you were one of my friends.  Who was alive, who was dead, who was depressed, who was doing well and who was just generally in denial or drifting or drinking/drugging themselves to death?

That was a daily occurrence and just about the only thing you knew is that your friends that remained would be there for you.

Oh Chairy.. ya did it again!

But miraculously here’s what each day also brought you —

Dumb jokes and dumb jobs; hilarious and heartbreaking dates that might or might not turn into love affairs; mortifying moments of embarrassment and secret vices that your good friends would be more than happy to publicly rag on you for…

Terrible fashion choices, silly haircuts, weight gains and weight losses, and relatives who could swoop into town and undo every neurosis you had spent years getting under control in one quick visit.

You wouldn’t think this would be the case at the time but it’s true.  It was also what made Friends work, even for those of us who didn’t quite always get it.

Well we all get bad haircuts…

Unlike other network sitcoms of its era:

  • It was funny, it was clever, it was silly and, every so often, it tugged at our heartstrings.
  • It had six of the most charismatic and adept casts in all of sitcom history – Jennifer Aniston, David Schwimmer, Courteney Cox, Matthew Perry, Lisa Kudrow and Matt LeBlanc – who even now, reassembled together again onstage at the Warner Bros. lot, some 17 years later, seem incapable of phoning in a false or phony note when it comes to their interrelationships.
Dare we say.. authentic?
  • It has even managed to rise above all types of the usual show biz b.s. antics since its been off the air, those that have eclipsed and nearly swallowed up the afterlife of almost every other late 20th century show.  To whit:

a. Yes, we knew the actors all got paid a record-setting one million plus per episode and more towards the end of its run.  We were HAPPY for them.

b. Yeah, we know to this day it’s reported the EACH make $20 million per YEAR in residuals and the show STILL generates about a billion dollars a year for WB TV.  We can live with that if it means we get to sometimes see it.

I’m with Janice here #wow

c. Uh huh, we get the friends each received about  $2.5 mill for this special alone; that there’s a lot of cosmetic “enhancements,” and hair dye, to keep them so dewy-looking; that the “girls” are closer than the guys; that some of their careers have fared better than others; and that Matthew Perry, in particular, continued to struggle with severe substance abuse and other health issues that plagued him throughout the run of the show.  Whateva and we’re rooting for him.

But nothing truly tarnishes the juggernaut that is Friends.  And if you don’t think so consider…

a. What other cast would get paid that much money to reunite?

b. Which other show has a worldwide audience ranging from Nobel Prize winner Malala to one of sport’s GOATs David Beckham?

c. And how many nineties sitcoms could get Justin Bieber to dress up live as a potato or Lady Gaga to do a duet on a song called Smelly Cat for no billing on a reunion special?

100% would watch this show

Friends, like our friends, our families, is far from perfect.  Yeah, I wish it was more multi-cultural, economically inclusive and LGBTQ positive, too.  And, um, please, no WAAAAAYY could they have afforded that apartment at that time – grandmother or not.

But I think of everyone interviewed  Matthew Perry got it exactly right when trying to express what Friends continues to mean and how it endures.

He said no matter what party you went to years later, if you ran into another cast member, you were probably going to spend the evening with them.  You apologized to whomever you were with because all bets were off.  You knew, in that moment, you could talk for hours and very likely would do so, as if no time had passed.

The indefinable pull of that type of relationship is what makes real friends.  And what made Friends.  Whatever either of their drawbacks.

Friends Opening – Season 1

Magic Meryl

You could do worse in quarantine than spending four and a half hours with your spouse and Meryl Streep.  But that’s what happened this weekend and, in a word, it was glorious.

Me, all weekend

No, I’m not just saying this because I’m a gay guy.  I mean, of course that’s part of it.  We gays like strong, insanely talented performers, especially women, who in real life speak out and don’t take crap from anyone. 

But that’s not really THE reason.

It’s mostly because, well, with Meryl you know you’ll always be well taken care of, always in good hands.  Quibble if you must with any one of her movies or performances (Note:  For the record, I have ZERO quibbles) but that’s like saying you had a bad piece of chocolate.

… and I would watch that too!

Some brands might be better than others, but ultimately are any of them ever anything but delicious?

Which brings us to Netflix’s The Prom and HBO Max’s Let Them All Talk.

Here’s what to know.  Both are now streaming, both feature HER in light and dark polar opposite characters that suck you instantly under her spell and, at just over two hours apiece, both enable you to avoid thinking about Covid-19 or quarantine or President #Loser even just once.

Isn’t that what the movies and movie acting are all about?

That, and extremely dramatic entrances #Miranda4Ever

Yeah, well tell that to the two idiot NY Times film critics A.O. Scott and Manohla Dargis who recently wrote a long list/article on the Times’ 25 Greatest Actors of the 21st century and very purposely left HER off it.

Forget what she did in Devil Wears Prada, The Iron Lady and even Julie and Julia.  It’s Keanu Reeves who is the fourth great actor of the 2000s for what he does in all those John Wick movies because the way he embodies this slightly ridiculous action hero…is just beautiful to watch.

Uh yeah, same here Meryl.

But I digress, and no, I’m not kidding.  They actually DID write that. 

This is what happens when you are so universally lauded for your artistic abilities decade after decade.  Some credentialed naysayer, and often more than one, will eventually come around and consider you less than just because THEY can.

We’ll stand up for you Meryl!

This is pretty much what goes on in The Prom, but with a lot more at stake than a list.  It’s loosely based on the true story of a lesbian high school student and her girlfriend who were told by the small-minded powers in their town that they were unwelcome at prom.

Is the exclusion of Streep from that dumb list the same thing as the hurtful homophobia we gay people all often endure at various points in childhood at the hands of those in power?

No, it’s a METAPHOR.  And yet, when you think about it, it’s not exactly dissimilar.  It’s just that when you’re an educated adult and your life is good, it hurts a lot less.

Which doesn’t mean it’s fair, or that it doesn’t hurt at all. 

She’ll get over it, I’m sure

Marginalization is ALWAYS meant to hurt on some level, especially when it’s made publicly and the target is that big.

Interestingly, Streep plays a two-time Tony winner in The Prom whose awful Broadway show has closed after horrible reviews and, in a fit of total self-absorption, travels to middle-America with some theatre folk to help our gay heroine simply to garner HERSELF great press and the chance at a third Tony award.

It’s a film musical based on a Broadway musical and it’s total cotton candy, the kind that you could easily be sick from after more than a few helpings.  But anchored by Streep (Note: Or do we keep calling her Meryl?) the whole thing manages to work, and often work really well.

I mean, how bad could this be?

Her performance is not a cartoon but an aptly etched musical type with a soul.  She’s ridiculous and over-the-top but with some vestiges of humanity that manage to peek through as she throws her endless colorful coats around in any number of songs or slams her Tony awards down on a hotel counter as the ultimate power play.

Who else but SHE could make us believe that?  Not many.  I venture to say, not even Keanu.

And yet in Let Them All Talk there she is again as a literate, whispery Pulitzer Prize-winning novelist in stylish oversized glasses, hair tastefully pinned back, who invites two female college chums she hasn’t seen in over 30 years to sail with her on a luxury boat to see her accept yet another literary award.

Add in Candy and Dianne and.. is this gay heaven?

This is a woman who saves it for the page vs. the stage and exhibits such control that she barely seems to exist to the outside world, other than on or through the pages she writes.

Still, she’s a huge presence, oppressive really, to almost everyone around her, especially those she claims to love.  That anyone tolerates her at all is a testament to just how much any of we humans are capable of enduring when we fear speaking up what we truly feel.

Or perhaps it’s just a testament to age.

And please.. we all know Meryl is ageless

For in Let Them All Talk, SHE, Dianne Wiest and Candice Bergen play three woman in their seventies whose behavior and selves are anything but caricature.  We might not know them thoroughly or the exact details of the events in the past that drove them apart but we realize enough to get how real the pained humor between them is.  And how much worse what’s NOT being said would be.

It’s an enigmatic story and film whose power isn’t the blow by blow of what happened but more about our reactions in the present to the ways we continue to behave.

Bonus… it’s Meryl on a boat! #queenmary #queenmeryl

Streep/Meryl or whomever you imagine her to be renders an entirely different kind of famous artist than who she is in real life or what she evoked in The Prom.  It’s a hopelessly internal type who has a whole lot to say about ART and it’s lasting effect on us as people and if she wasn’t such a turn-off perhaps more than one or two people in her life would actually be listening.

But of course WE do listen because by the end of the journey we realize this gal was, indeed, human.  And that everything we didn’t want to believe that came out of her mouth made a whole lot of existential sense – actually too much sense.

I can only thing of one actor in the 21st century who does this so consistently every time they’re at bat regardless of what list anyone chooses to put them on.

And it’s not Keanu Reeves.

“It’s Not About Me” – Meryl Streep (from The Prom)