Adam Sandler, My Bar Mitzvah, and Jewish Visibility on Screen

You might think the new Adam Sandler movie that dropped this weekend on Netflix, You Are So Not Invited to My Bat Mitzvah, is a slight comedy about a Jewish ritual that he produced to give his two teenage daughters co-starring roles in.

Well, yes, but also no.

Yes, I am writing about a Sandler Netflix movie

If you eliminate the Holocaust, Neil Simon and the neurotic angst of the typical adult Jewish male as subject matter or author, the list of mainstream American feature films filled with Jews at the center grows pretty small.

Oh, sure there are some, but well, not all that many. 

Ah yes, those Fabelmans are a recent entry

So it was with great intrigue that I spent my Saturday night with the Sandler family. (Note: Sunny Sandler is the star, Sadie Sandler co-stars, Adam Sandler plays a key supporting role, and even his real-life wife, Jackie Sandler, appears in a small part).

And, may I say, they did not disappoint. 

wait.. really???

To have fictional Jewish siblings, family and friends casually fill a space that is mostly reserved for white bread John Hughes-esque characters living cleverly in a typical American suburban landscape felt new and, actually, sort of groundbreaking for a wide-release American feature.

Especially since the so particularly Jewish story beats they were engaging in were more than ably filling in the space of the most thematically typical studio coming of age scenario imaginable.

And, trust me, I know where of I speak.

Exhibit A

It was 30 years ago this year that a movie I wrote loosely based on my family and the events that led to my bar mitzvah, Family Prayers, was released.

And though it was more of a drama with only some comedic elements, at the time the script was considered too specific, too niche and toookay, let’s face it, Jewish, to have even a snowball’s chance in hell of breaking into the mainstream.

And that was if the film was made perfectly (Note: As if THAT exists), which ultimately it wasn’t.

Not that I was thinking about any of that back then.

That’s fair

It just seemed like a good way to tell the story about the disintegration of my parents’ marriage, my Dad’s gambling addiction and a kids’ (Note: Um, my) confusion about, well, what it means to be an adult. 

So I only wrote it as a writing sample that could show off my talents and maybe get me work of some kind, any kind, since I knew:

a. Action movies and Saturday matinee sci-fi/comic book stories were what was commercial

b. I was squeamish with blood and the only comics I read were Archie, Betty and Veronica, and…  

c. A Jewish kid or family going through anything particularly Jewish, except maybe Nazis, was simply not considered a thing.

Did I hold out small secret hope it would get made?  Sure, in the same way I briefly fantasized about being straight some years before.

It wasn’t working

But we all are who we are, right? 

So it was with great defiance that I decided to write about one of the worst, yet dramatically fertile moments of my then relatively short Semitic life.

That, in itself, was ironic.  Truth be told, NO ONE in my family EVER even went to temple.  Still, we were culturally Jewish.  What this meant for me, and many other Jews who came of age when I did, was:

a. We celebrated a handful of key Jewish holidays over family dinners, sans prayers.

b. We ate a lot of lox, bagels, deli food and brisket (Note: And Chinese food on Sunday nights.  Don’t ask me why this is even Jewish but on the east coast it sort of was/is), and:

c. We kvelled (aka basked in pride) when Barbra Streisand became a movie star and Steve and Eydie (Note: Steve Lawrence and Eydie Gorme) appeared on TV.

Hi ya Babs

Oy vey.

I guess that’s one of the things I appreciated about You Are So Not Invited To My Bat Mitzvah. Based on a 2001 novel by Fiona Rosenbloom, it’s essentially a story about teen culture, Jewish culture and a Jewish girl who is rolling her eyes at everyone and everything except for her own needs. 

It’s funny and silly and mean and sad and infuriating and, ultimately sort of meaningful.  It takes apart Jewish friendships and family life in sweetly relatable ways that weren’t available back when I came of age.  And even if they were, the specific worlds they were offering were certainly not deemed broadly relatable.

This is a Sandler movie — can you believe?

When I wrote my screenplay in the eighties I chose an event from my life I figured would work as a structuring device to explore my world. 

But what I discovered in the writing was that my bar mitzvah, and what it turned out to be – a VERY pared down SMALL reception due to a lot of family drama – really did symbolize my coming of age.

What I get from the Sandler movie is a bit of the polar opposite.  A coming of age story that is very much about a bat mitzvah girl and the Jewish kids, and even non-Jewish kids, who surround her.

The ritual, even as it is sometimes played for comic effect, is as important a part of her life as her parents, siblings and friends she fails but ultimately learns to appreciate.

Idina Menzel is her mom, so I mean, how bad could it be?

She’s a Jewish girl/woman the movie offers for audiences to embrace, rather than a kid who just happens to be Jewish that a film is asking audiences to listen to. 

And to me, that feels like progress.

Even if bat and bar mitzvahs have never been your things at all.  Or never will be.

Adam Sandler – “Bar Mitzvah Boy”

Patty

A close colleague and dear friend passed away very suddenly the other day after a very short illness.   Her name was Patty Zimmermann and she was a real presence and a force of nature.

She was a combination and contradiction of so many things. 

Film scholar, intellectual, brilliant, challenging, hard working, determined and indefatigable.

A tough cookie yet a sensitive soul who could break out into tears if she trusted you.  A pusher who never stopped pushing but, more importantly, never stopped pushing you or encouraging you with some project or notion or thought you might not have thought much of.

Oh, and a loving mom and wife and friend. 

Very much so.

And no, of course, she wasn’t perfect. 

At all.

But which of us are?

If you can think of anyone to put on that list, you’re lying.

Patty and I were about the same age and I’ve lived long enough to experience enough loss to know the drill. 

In roughly this order there is shock, devastation, sadness, loneliness, love, healing, recovery and, finally, renewal. 

But, well, you are never the same after you lose someone.

A piece of them is imprinted on you that shapes who you are and how you proceed with your life.

Maybe this sounds insightful but, truly, it doesn’t really scratch the surface of much of anything. 

Especially since I keep coming back to one basic thought –

How can someone be told they’re sick one day and then, less than three weeks later, be dead?

How could I be talking or texting with them one day and then the next day, or a few days later, they’re gone?

Well, because they can – in three years, three weeks, three days or three seconds.

And none of us wants to think too much about that because, if we did, well, not much of anything would get accomplished.

So since Patty would have none of that, here’s what I want to share:

It’s not about her many essays, books, accolades, challenges, friends, families, anecdotes and philosophies.

I’ve been reading about them all over social media and if you google her name you can find out about them too.

It’s about her and me and human connection.

About seven years ago I was facing a very serious medical challenge that I don’t talk much about.  I’m okay now, as far as we know.  But it was difficult and tricky for me for a lot of reasons.  And even though I never stated them, somehow she knew.

When you’re facing something big, if you’re lucky, you get a lot of support.  But what you also get are a lot of surprises.  People run away because they can’t deal with mess. 

Actually, what they can’t deal with is their own mortality, but that’s another subject. 

Just know, for all the people who are there, expectedly or unexpectedly, there are a whole lot of others who keep their distance because they can’t deal with being close.

This was not Patty.

We lived on different coasts and didn’t see each other all that often.  We were in touch, but not constantly.  She and my husband were closer friends and colleagues but he didn’t tell her everything.

And yet, she knew what I needed that I didn’t have.

Those handwritten notes on durable cream-colored note cards. 

Words of encouragement and cheerleading and support and compliments and strength from an across-the-country one person cheering squad.

Not constantly but consistently.  For years.  Often turning up out of the blue just when I needed them.

This is not to say that I didn’t have incredible love and devotion from people right here in my daily life.  And in other places.

But what writer doesn’t like to get handwritten missives, written with a good pen, in thoughtful, pithy, positive, passionate phrasing?  Who doesn’t want that validation?  Who doesn’t want to steal some strength?

I still have them.  And there were many. 

I once told her how much I appreciated them but I’m not sure how much she understood.  I’d read them over if I suddenly got down.  I’d keep them in my top drawer by my bed, alongside bills that had to be paid or lists of stuff I had to accomplish. 

Just in case I needed a lift.

I didn’t even have to read them.  In fact, I didn’t re-read them all that much.

It was more the feeling and the sight of them.  The fact that they were there and that I could look at them or not look at them anytime I wanted to.  I could use them to remember or to steady myself.  Or ignore them and bury them under a mountain of paper I didn’t want to have to deal with if I was choosing to forget.

What I never did was file them away.

This might not seem like a lot but it meant a lot for reasons I can only now begin to understand. 

Patty was a big supporter of this blog, reposting it frequently and talking it up to a voluminous list of her colleagues and friends. 

She recommended me for writing assignments, helped me navigate the waters of academia when I segued into a new career and accepted me into her extended family soon after my husband and I met.

I have a lot to be appreciative for but it’s the notes that mean the most and taught me the most. 

As I’ve told my students for years, you never know what effect your writing will have on someone else. 

And yet somehow, the power of the notes, her notes, continue to endure and surprise me.

Rest in Power, dear comrade.  I miss you already.  So much.

John Lennon – “Power to the People”